Ranked #10 in Most Commented.
Comments (14)
Comment on this music
Login/Register to post a comment.
|
Voluntary in C major
Uploaded by: Bartfloete
Composer: Pepusch, John Christopher Organ: St. Peter und Paul Weissenau Software: Hauptwerk IV Views: 207
Piece d'Orgue
Uploaded by: Milan
Composer: Bach, J. S. Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 633
O sorrow deep!
Uploaded by: Agnus_Dei
Composer: Würzburg, 1628. Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 159
Home, Sweet Home
Uploaded by: Agnus_Dei
Composer: Bishop, Henry; trans. & paraphrased, Lemare E. H. Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 149
Auld Lang Syne
Uploaded by: Agnus_Dei
Composer: Scottish traditional, transcribed & paraphrased, Lemare, Edwin H. Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 245
Uploaded by:
|
Agnus_Dei (08/29/22)
|
Composer:
|
Walond, William
|
Sample Producer:
|
Milan Digital Audio
|
Sample Set:
|
Salisbury Cathedral Father Willis
|
Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | William Walond (born Oxford, baptized 16 July 1719 – died Oxford, buried 21 August 1768) was an English composer and organist.
After four years as Assistant Organist of Christ Church Cathedral, Oxford, Walond graduated from Christ Church, Oxford in 1757. His setting of Alexander Pope's "Ode on St Cecilia's Day" had served as his exercise.
He published two sets of voluntaries for the organ or harpsichord (op. 1, c. 1752 and op. 2, 1758) and the anthem "Not unto us, O Lord."
Of his fourteen children, his eldest son William Walond Jr. (c. 1750-1836) became the last 'Organist' of Chichester Cathedral, before the post was merged with 'Master of the Choristers' in 1801.
Many of the "voluntaries" of this period have similarities between them, but these by Walond are particularly attractive.
The sixth one in D Minor is the largest and most unique piece of the six.
It begins with an extended "Largo" which is exceptionally expressive and outstanding. The combination of "solo and orchestral writing" stands out from other works of the period. The impassioned phrases and perfectly delicate, but powerful balance actually made me think of the works of Mozart. See if you agree!
This is followed by an extended and energetic fugue, "A Tempo Ordinario" that is massive in its impact, and is a spectacular "closer" for the group of pieces.
Notice also the use of the Swell pedal in the opening section. This was certainly modern for it's time. In saying that, I'm assuming that these expression marks are the composer's and NOT the editor's! Either way, it's a wonderful piece which I had never heard before having had the chance to play it.
This concludes this group of voluntaries by William Walond. I enjoyed learning and playing them, and hope that my listeners have enjoyed the performances.
I don't have an image of William Walond, but I did attach several photos of the magnificent Christ Church Cathedral, Oxford, where Walond was assistant organist.
Peace to All.
|
Performance: | Live |
Recorded in: | Stereo |
Playlists: |
|
Options:
|
Sign up today to download piece.
Login or Register to Subscribe
See what Agnus_Dei used to make this recording
|
|
|