Praeludium C dur Uploaded by: Frans Composer: Bach, J. S. Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk IV Views: 373
Praeludium in F-dur Uploaded by: wimbomhof Composer: Wagenseil G.Ch. Organ: Noordbroek, Schnitger-Hinsz-Freytag Software: Hauptwerk IV Views: 61
Praeludium & Fuge g-moll BWV 535 Uploaded by: Grandjeux Composer: Bach, J. S. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VII Views: 93
Kleines Praeludium und Fuge in G-Dur Uploaded by: EdoL Composer: Krebs JT ??, Krebs JL ??, Bach JS probably not Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 230
Ronde et saltarelle Uploaded by: petervdzwaag Composer: Susato, Tielman Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 290
Madrigal Sonata No. 19 (2012) Uploaded by: CarsonCooman Composer: Penfield, Craig A. Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 99
Improvisation alla rondo (1998) Uploaded by: CarsonCooman Composer: Steinsland, Njål Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 147
Suite (1969) Uploaded by: CarsonCooman Composer: de Klerk, Albert Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 217
Fanfare for Organ, op. 56 (1987) Uploaded by: CarsonCooman Composer: Victorine, Dale E. Organ: Laurenskerk - Transept Organ - 1959 Marcussen & Son Software: Hauptwerk IV Views: 198
Burkhard Mohr (b. 1955) — Praeludium und Fuge in C (2009/13) for organ
German composer Burkhard Mohr (b. 1955) was born in Gambach/Oberhessen and was educated in Frankfurt where he studied music and theology. He also attended the Darmstadt new music courses with Stockhausen, Kagel, Ligeti, and Xenakis. He has worked as a church musician in Frankfurt-Höchst and Wiesbaden and also taught music for many years at the technical university in Frankfurt. Mohr has composed numerous musical works in many genres, including several operas and orchestral works along with much chamber music and music for choir and organ. Mohr’s music usually concerns itself with the blurry boundaries and connections between atonal (12-tone) and tonal (triadic) materials and with the unexpected (or traditionally extended) formal designs that can result from teasing out these connections.