Wenn wir in höchsten Nöten sein Uploaded by: marcothart Composer: Rinck, Johan Christian Heinrich Organ: 1884/1995 Walcker-Eule, Annaberg, Germany Software: Hauptwerk VII Views: 111
Wenn wir in höchsten Nöten sein Uploaded by: alberto63 Composer: Pachelbel, Johann Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk VII Views: 53
Capricio Secundi Toni Uploaded by: ajongbloed Composer: Wilhelm Karges & Sebastian Anton Scherer Organ: Midwolda, Hinsz (1772) Software: Hauptwerk VII Views: 75
Schmucke dich Uploaded by: janwim Composer: Walther, Johann Gottfried Organ: Midwolda, Hinsz (1772) Software: Hauptwerk IV Views: 112
Like a lot of Zachow's choral preludes. this one is also a fugue on the first phrase of the choral melody. In this case Zachow also employs a countersubject that he maintains throughout the piece. Zachow was a craftsman in counterpoint as he shows in this piece: the countersubject is written in double counterpoint, meaning it can be played both above and below the fugue subject without violating voice leading rules.