William Wolstenholme was born in Blackburn, Lancashire on 24 February 1865. He was blind from birth and was was educated at the Worcester College for the Blind Sons of Gentlemen. He showed considerable promise as a musician and impressed Henry Smart who agreed to take him as a pupil. Alas, Smart died before lessons began. He studied the violin under Edward Elgar. In 1887 he went up to Oxford University where he later graduated as a Bachelor of Music.
In 1888 he was appointed organist and choirmaster of St Paul’s Church, Blackburn and began to consolidate his position as a teacher, recitalist and improviser. Fourteen years later he accepted the post of organist at All Saint’s Church Norfolk Square, Paddington and afterwards at All Saints, St. John’s Wood. In 1908 he undertook a major concert tour of the United States. This secured his ‘international’ reputation. William Wolstenholme died in 1931.
Stylistically, he has been referred to as the ‘English Cesar Franck’ and although this may be unfair to both composers it is a reasonable rule of thumb and gives the listener a good idea of the kind and quality of music to expect. It is also possible that he can be bracketed with Alfred Hollins and Basil Harwood.
"Seven Short Preludes" and "Seven Short Postludes" were published by Edwin Ashdown Ltd. in 1912. Though they are miniatures, the works have real style and are not without their technical difficulties.
They have enough substance to reward careful attention to details. :-)
Having just started to work my way through these 14 pieces, I can tell you each of them is distinctive, and a highly developed expression of refined writing and beauty.
Unfortunately, they all have almost identical markings of registration, tempo, etc.
Also, there are score errors, such as missing ties, etc.
However, I think these are still nice. :-)
The score is attached below, as well as some photos of Wolstenholme, his family home, several of the churches at which he served as organist.