Komm susser Tod

Warning: There is a large difference of volume between first and second verse.
Had this organ a while but never really used it. Left the volume settings as default so let me know how it comes across.

"Come, sweet death, come blessed rest!"

This haunting piece by Bach is arranged by Noel Rawsthorne, however I have modified it a bit to bring in elements I like from other interpretations.

The first verse is pretty standard, solo reed against soft swell. The second verse calls for 'p' dynamics, however, a lot of players use full organ and this is what I have done as I think it is far more haunting and suited to this piece.

Fast or slow, loud or soft... there are so many ways to play this chilling piece by Bach. This is my interpretation, hope you enjoy.

John