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Ricercare after Credo
Uploaded by: jepisi
Composer: Frescobaldi, Girolamo Organ: AVO - Farkasret (Budapest) Software: Hauptwerk V Views: 63
Ricercare in Fa Maggiore
Uploaded by: alberto63
Composer: * My Own Composition Organ: Casavant, opus 3742 (1995), Bellevue, Washington Software: Hauptwerk IV Views: 36
Ricercar in F min.
Uploaded by: wimbomhof
Composer: Pachelbel, Johann Organ: Van Deventer 1756, Nijkerk Software: Hauptwerk VI Views: 41
Toccata quarta
Uploaded by: CarsonCooman
Composer: Hassler, Hans Leo Organ: 1654 Positif (unknown), Griebenow, Germany Software: Hauptwerk IV Views: 363
Fuga quinta
Uploaded by: CarsonCooman
Composer: Lohet, Simon Organ: 1654 Positif (unknown), Griebenow, Germany Software: Hauptwerk IV Views: 298
Uploaded by:
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CarsonCooman (12/23/13)
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Composer:
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Steigleder, Johann Ulrich
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Sample Producer:
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OrganArt Media
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Sample Set:
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1654 Positif (unknown), Griebenow, Germany
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Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | Johann Ulrich Steigleder (1593–1635) — Ricercar No. 12 in C for organ
Johann Ulrich Steigleder (1593–1635) was a German baroque composer and organist and was taught primarily by his father Adam, who had been a student of Simon Lohet. Steigleder was organist first in Lindau and then from 1617 in Stuttgart where he became organist of the Württemberg court in 1627. He died of plague during the Thirty Years’ War. Steigleder published two collections of organ pieces. “Ricercar tabulatura” (1624) was the first German music edition published using engraved copper plates. Steigleder even prepared the plates (very crudely) himself. Along with Samuel Scheidt’s “Tabulatura nova,” it was one of the first significant German printed collections to employ five-line staff notation. The book contains 12 ricercars: two each in the keys of D, E, F, G, A, and C. In contrast with other early keyboards ricercars, Steigleder’s are decidedly instrumental (and not vocal) in character, with influence from the English virginalists (with whom he worked in the Stuttgart court). They employ a wide variety of inventive musical devices and are all quite different from each other. Steigleder was one of the first composers to make the transition from tones (primi toni, etc.) to keys. His second organ collection, “Tabulaturbuch Dass Vatter Unser” (1627) is an even more remarkable achievement, consisting of 40 variations on the chorale “Vater unser in Himmelreich.” The variety of compositional techniques employed across the variations (which range in duration from the 12 minute opening fantasia to short treatments that break up the tune into sections) encompass nearly every musical technique that was available to a keyboard composer of Steigleder’s time, and display tremendous invention. |
Performance: | Live |
Recorded in: | Stereo |
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