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Prelude et Choral
Uploaded by: adri
Composer: S. Paraire Organ: Inspired Acoustics' new set of the mander organ at the Urakami Cathedral in Nagasaki, Japan Software: Hauptwerk V Views: 134
Prelude and Fuga in d
Uploaded by: GuidoSmo
Composer: Bach, J. S. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 109
Fuga, e moll
Uploaded by: ajongbloed
Composer: Löw, Rudolf Organ: Holzhey-Orgel Weissenau Software: Hauptwerk V Views: 37
Danket dem Herren
Uploaded by: ajongbloed
Composer: Oley, Johann Christoph Organ: Holzhey-Orgel Weissenau Software: Hauptwerk VII Views: 58
Trio 4
Uploaded by: DominiqueD
Composer: Georg Andreas SORGE Organ: Holzhey-Orgel Weissenau Software: Hauptwerk IV Views: 72
Uploaded by:
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Agnus_Dei (09/01/22)
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Composer:
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Zachow, Friedrich Wilhelm
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Sample Producer:
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Prospectum
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Sample Set:
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Holzhey-Orgel Weissenau
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Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | Over the next few days, I'll be uploading a few pieces that I'm offering as a source of "example and encouragement" to a friend looking for some possible repertoire.
Friedrich Wilhelm Zachow or Zachau (14 November 1663, Leipzig – 7 August 1712, Halle) was a German musician and composer of vocal and keyboard music. He probably received his training from his father, the piper Heinrich Zachow, one of Leipzig's town musicians in the Alta capella, and maybe from Johann Schelle, a leading German composer, when the family moved to Eilenburg. As Kantor and organist of Halle's Market Church in 1684 he succeeded Samuel Ebart. During his time at Halle he became particularly renowned as a composer of dramatic cantatas.
Zachow was the teacher of Gottfried Kirchhoff, Johann Philipp Krieger and Johann Gotthilf Ziegler, but is best remembered as George Frideric Handel's first music teacher. It is said that after Zachow died in 1712, Handel became a benefactor to his widow and children in gratitude for his teacher's instruction.
Zachow's "Prelude and Fugue" is/are simple and attractive. The bright, sunny tonality is welcome, and I've added very little in terms of ornamentation.
The listening perspective is quite distant from the organ, allowing the room's acoustics to blend the colors and "refine" the sounds.
The score is attached below, as well as a portrait of Zachow, several photos of the Market Church in Halle are also attached. |
Performance: | Live |
Recorded in: | Stereo |
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