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Tiento Partido de Mano Izquierda de 5o Tono
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Are electric organs (eg. Orla/Technics) any good for Hauptwerk?
Details
Suggested
Same Organ
Tiento de falsas. 2o tono
Uploaded by:
wolfram_syre
Composer:
Bruna, Pablo
Organ:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Views:
118
Tiento de Falsas 1o. Tono. WSC 119
Uploaded by:
wolfram_syre
Composer:
Cabanilles, Juan
Organ:
1776 Tadeo Ortega, Capillas, Spain
Software:
Hauptwerk IV
Views:
37
Tiento de Batalla 5 tono Punto Baxo
Uploaded by:
takatsa
Composer:
Cabanilles, Juan
Organ:
AVO - Castilian Organ-replica from Budapest
Software:
Hauptwerk IV
Views:
451
Tiento 6o. Tono [Partido de dos Tiples]. WSC 164
Uploaded by:
wolfram_syre
Composer:
Cabanilles, Juan
Organ:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Views:
40
Quinto Tiento de medio registre de tiple de Septimo Tono.
Uploaded by:
wolfram_syre
Composer:
Correa de Arauxo, Francisco
Organ:
1776 Tadeo Ortega, Capillas, Spain
Software:
Hauptwerk IV
Views:
58
Suite du 2e Ton- II. Duo en Rondeau
Uploaded by:
xlukasz94x
Composer:
Corrette, Michel
Organ:
Santanyi
Software:
Hauptwerk IV
Views:
84
Tiento de Falsas Primero Tono
Uploaded by:
EdoL
Composer:
Bruna, Pablo
Organ:
Santanyi
Software:
Hauptwerk IV
Views:
159
Cancion de clarin con eco
Uploaded by:
Hoofdwerk
Composer:
Anon.
Organ:
Santanyi
Software:
Hauptwerk IV
Views:
523
Partita sopra la Aria della Folia da Espagna
Uploaded by:
xlukasz94x
Composer:
Pasquini, Bernardo
Organ:
Santanyi
Software:
Hauptwerk IV
Views:
114
Cornet
Uploaded by:
Hoofdwerk
Composer:
La Fosse, Jacobus
Organ:
Santanyi
Software:
Hauptwerk IV
Views:
268
Uploaded by:
EdoL
(02/19/16)
Composer:
Cabanilles, Juan
Sample Producer:
Sonus Paradisi
Sample Set:
Santanyi
Software:
Hauptwerk IV
Genre:
Medieval and Renaissance
Description:
Juan Bautista José Cabanilles (1644 – 1712) was a Spanish organist and composer at Valencia Cathedral.
He is considered by many to have been the greatest Spanish Baroque composer, and has been called the Spanish Bach.
This piece is written for a devided manual-organ with the accompaniment in the right hand and the melody voice left.
It is a joyous piece: Guide d'Arrezzo and Adam of Fulda both charactetrize the fifth mode as being happy.
I have to stress, that I'm not an expert on Spanish organ music; though I did some reading and know of the general baroque interpretation principles.
I just like to play it on original Spanish instruments in the way I feel it sounds best.
Transcribed and edited by William R. Shannon.
Performance:
Live
Recorded in:
Stereo
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