The third and final version - thank goodness we all cry!
St Edmundsbury came first in an “English Cathedral” performance, but somewhat informed by my interest in the French symphonic repertoire - the fire & fizz in the Tutti coming from the Orchestral Trumpet.
The second of the trilogy was on the stunning Mühleisen organ of the Stiftskirche Stuttgart which seems to deal with whatever repertoire you throw at it with a musical integrity and not a little éclat https://www.contrebombarde.com/concerthall/music/64252
Finally, the "real" thing, Caen in its remarkable acoustic and in all its grandeur.
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