|
Comments (15)
Comment on this music
Login/Register to post a comment.
|
Messe, 21. Dialogue
Uploaded by: Pietro
Composer: de Grigny, Nicolas Organ: St. Maximin, France Software: Hauptwerk IV Views: 249
Fuga in C
Uploaded by: petervdzwaag
Composer: Kerkhoven, Abraham van den Organ: St. Maximin, France Software: Hauptwerk IV Views: 377
Elysian
Uploaded by: fiffaro
Composer: Unknown Organ: St. Maximin, France Software: Hauptwerk IV Views: 488
|
Uploaded by:
|
Agnus_Dei (01/01/26)
|
|
Composer:
|
Daquin, Louis-Claude
|
|
Sample Producer:
|
Sonus Paradisi
|
|
Sample Set:
|
St. Maximin, France
|
| Software: | Hauptwerk IX |
| Genre: | Baroque |
| Description: | Louis-Claude Daquin (July 4, 1694 – June 15, 1772) was a French composer, writing in the Baroque and Galant styles. He was a virtuoso organist and harpsichordist.
Louis-Claude Daquin was born in Paris to a family originating from Italy, where his great-great-grandfather took the name D'Aquino after converting from Judaism to Catholicism in the town of Aquino. Louis-Claude's parents were Claude Daquin, a painter, and Anne Tiersant, a grand-niece of Rabelais. One of Louis-Claude's grand-uncles was a professor of Hebrew at the Collège de France, and another was the principal physician of King Louis XIV.
Daquin was a musical child prodigy. He performed for the court of Louis XIV at the age of six. He was for a while a pupil of Louis Marchand. At the age of 12, he became organist at the Sainte-Chapelle, and in the following year took a similar post at the Church of Petit Saint Antoine. In 1722 he married Denise-Thérèse Quirot.
Louis-Claude Daquin never lacked for work as an organist. In 1727 he was appointed organist at the Church of Saint Paul in Paris, ahead of Jean-Philippe Rameau who was also a candidate. Five years later, Daquin succeeded his teacher Marchand as organist at the Church of the Cordeliers. In 1739 he became organist to Louis XV at the Chapelle Royale. In 1755 he was made titular organist at Notre-Dame Cathedral, succeeding Guillaume-Antoine Calvière.
By reputation a dazzling performer at the keyboard, Daquin was courted by the aristocracy, and his great expertise at the organ drew large crowds to hear him. He was known for his "unfaltering precision and evenness" at both the harpsichord and organ.
This a well-known and exciting Noël. The color, sounds and acoustics of the organ at St. Maximin is ideal for this.
The score is attached below, as well a likeness of Louis-Claude Daquin.
I wish all of my listeners a very happy, healthy and blessed New Year! |
| Performance: | Live |
| Recorded in: | Stereo |
| Playlists: |
|
|
Options:
|
Sign up today to download piece.
Login or Register to Subscribe
See what Agnus_Dei used to make this recording
|
| |
|
Attachments:
|
- Please Log in to download.
- Please Log in to download.
|
|
|