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larghetto
Uploaded by: mersenne
Composer: Boëly, Alexandre-Pierre-François Organ: Jeux d'orgues 3 - Silbermann (1745) Software: Hauptwerk IV Views: 87
"Romance Larghetto"
Uploaded by: adri
Composer: Christiaan Friedrich Ruppe (1753-1826) Organ: 1766 Riepp Dreifaltigkeits Organ, Ottobeuren, Germany Software: Hauptwerk VII Views: 76
Sortie (1999)
Uploaded by: CarsonCooman
Composer: Leijon, Jerker Organ: St. Omer, Cavaillé-Coll 1855 Software: Hauptwerk IV Views: 116
Verset
Uploaded by: wolfram_syre
Composer: Salomé, Théodore Organ: St. Omer, Cavaillé-Coll 1855 Software: Hauptwerk IV Views: 74
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Uploaded by:
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ajongbloed (12/23/24)
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Composer:
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Jongbloed, Auke
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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St. Omer, Cavaillé-Coll 1855
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| Software: | Hauptwerk VII |
| Genre: | Modern |
| Description: | Score available here: Score available here: https://partitura.org/index.php/auke-jongbloed-larghetto-ostinato-op-12
After I (finally) finished the Fantasia I published last week, I wanted to compose new. And as I had learned that inspiration doesn't come spontaneously, I just sat down and began writing. This Larghetto is the result. It started with just the idea for the first chord progression in bars 1 and 2. And it gradually grew from that first idea. Now that it is finished, I can hear it for what it is: an expression of all the emotions that have haunted me these last few months.
Though I started without any real plan, I'm quite proud of the result. The form is a simple A-B-A'-Coda, where the Coda is build on the material taken from the middle section. The music starts with a solid a minor chord in the first bar, yet most of the harmonies used aare mildly dissonant. The music ventues from and to a never really a minor tonality, never really f minor and never really e flat minor, using seconds, sixths, nones and undecimes as added notes to the chords. The music ends with a long chord sequence that almost reaches an a minor closing chord, but deep down an added f sharp keeps the music fomr reaching a consonant ending. Though the effect of the long closing chord sequence is that that last dissonance almost feels like a consonant.
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| Performance: | Live |
| Recorded in: | Stereo |
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