Voluntary 7 (Ouverture/March?) Uploaded by: adri Composer: Green, Travers or anonymous Organ: Van Deventer 1756, Nijkerk Software: Hauptwerk VI Views: 44
Ouverture Solennelle- The Final Uploaded by: alberto63 Composer: Piotr Ilitch Tchaikovsky Organ: Rosales, opus 11, Portland, Oregon Software: Hauptwerk VII Views: 77
Inventions n. 5, 6 Uploaded by: alberto63 Composer: Sylvain Tallé Organ: Ruckers Cembalo by František Vyhnálek Software: Hauptwerk IV Views: 52
Sonata K. 533 (Allegro) Uploaded by: Pietro Composer: Scarlatti, Domenico Organ: Ruckers Cembalo by František Vyhnálek Software: Hauptwerk VIII Views: 30
Variations on Von der Fortuna Uploaded by: jocr Composer: Sweelinck, Jan Pieterszoon Organ: Ruckers Cembalo by František Vyhnálek Software: Hauptwerk IV Views: 516
Sonata K. 96 (Allegrissimo) Uploaded by: Pietro Composer: Scarlatti, Domenico Organ: Ruckers Cembalo by František Vyhnálek Software: Hauptwerk IV Views: 102
Ouverture nach Französischer Art BWV 831 (aus: Zweyter Theil der Clavier Uebung)
I. [Ouverture]
II. Courante
III. Gavotte I - Gavotte II - Gavotte I da capo
IV. Passepied I - Passepied II - Passepied II da capo
V. Sarabande
VI. Bourrée I - Bourrée II - Bourré I da capo
VII. Gigue
VIII. Echo
I have listened to many performances of this magnificent piece: all performers - even Gustav Leonhardt - tryed to give the first movement a "French dressing".
The result. The music sounds not glear and corrupted and wrong arranged in its rhythm.
Bach knew the French style very well, and he wrote exactly what one should play without being familar with the French Baroque praxis of performance..