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Fuga Quinti toni RW 55
Uploaded by: wimbomhof
Composer: Johann Baptist Peyer Organ: 1675/88 Hus/Arp Schnitger, Stade, Germany Software: Hauptwerk IV Views: 45
Fuga sexti toni RW 61
Uploaded by: wimbomhof
Composer: Johann Baptist Peyer Organ: Noordbroek, Schnitger-Hinsz-Freytag Software: Hauptwerk IV Views: 65
Fuga in g
Uploaded by: Hoofdwerk
Composer: Kerkhoven, Abraham van den Organ: St. Pons-de-Thomières, Micot Organ (1771) Software: Hauptwerk IV Views: 75
Fuga in c
Uploaded by: wolfram_syre
Composer: Bach, Wilhelm Friedemann Organ: G. Silbermann Stadtkirche Zöblitz, 1742 Software: Hauptwerk IV Views: 82
Uploaded by:
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ajongbloed (11/04/22)
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Composer:
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Seger, Josef Ferdinand Norbert
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Sample Producer:
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Prospectum
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Sample Set:
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G. Silbermann Stadtkirche Zöblitz, 1742
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Software: | Hauptwerk VII |
Genre: | Baroque |
Description: | Score available here: https://partitura.org/index.php/josef-ferdinand-norbert-seger-fuga-con-seggetto-doppio-l-2
A few days ago I started a new series with compositions by Fuga con seggetto doppio (see: https://partitura.org/index.php/osef-ferdinand-norbert-seger-praeambulum-l-1). Today follows the second composition in this seris, a fugue with two subjects.
As far as i know there does not exist yet a complete catalogue of compositions by Seger. I did found some CD-recordings where the compositions had a catalogue-like indication, for example L 78, of CH IX. When I listened to the various compositions on those CD's, it turned out that all the compositions with an L-number were taken from the same manuscript that I am working from. And what's more, the numbers corresponded with the order of compositions in that manuscript. For example, the Phantasia in d Moll, L 8, on that CD, is indeed the eigth composition in manuscript Becker III.8.63. I guess the "L" is a reference to library where the source is held: the Leipziger Stadtbibliothek.
As there are a lot of compositions in this manuscript, some sort of numbering or indication is needed to keep them apart. The type of the piece and the tonality is not e nough as there are for example more than 20 preludes in C major. So I decided to adopt the numbering I first met listening to that CD, and give all the compositions and " L-number". The fugue I publish here today is the second composition in this manuscript, and therefore indicated as L 2.
The fugue shows Seger was very skilled in counterpoint. The fugues flows with a natural elegance and the result sounds as if writing a fugue is something easy to do. Well, perhaps for Seger it was. |
Performance: | Live |
Recorded in: | Stereo |
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