Grand Chœur

Guy Michell (1876-1939) was an organist in Brighton. He was a student of the great Edwin H. Lemare. Lemare had very few students, so he must have held Michell in high esteem.

He published a number of works, and played largely French repertoire as well as his own compositions in his numerous recitals.

"Grand Chœur" was published in 1911 and was copyrighted by Guy Michell. It is dedicated: "To F. Rev. A. Linton."

Several weeks ago I uploaded another "Grand Chœur" by another English composer, and some listeners said they were expecting some "more French," and perhaps in the style of Guilmant.

The title "Grand Chœur" was used freely by both English and French composers, and this one certainly leans much more to the English-side of the argument.

It begins with a grand march and is marked "Molto maestoso." In the key of B-flat major, it features strong rhythms, and an effective use of very traditional harmony. It is written with a "repeat," but I did it one time through only, using the 2nd ending on the reprise. It's not really clear whether he intended it to go twice both times, but that would really be over-stretching the piece.

The middle section begins quietly in the key of E-flat major, modulating strongly and passing through several keys before an extended pedalpoint brings us back to the opening section, heralded by a small fanfare played upon the Solo tuba.

There is a brief but grandiose coda at the end, which calls for the tuba to be coupled to the full organ, leading to the final triumphant measures.

The piece is yet again a "child of the time," but the writing is bold and effective, and this would make for an impressive festival postlude or a recital piece.

The score, courtesy of Dr. John Henderson, is attached below.