Subscribe to our mailing list to get news, specials and updates:     Name: Email:

Postlude Maestoso

187 views | Find this title on Sheet Music Plus


 

Ranked #7 in Most Commented.

Comments (22)

Comment on this music


/Register to post a comment.

Uploaded by: Agnus_Dei (05/10/20)
Composer: Vincent, Charles
Sample Producer: Audio Angelorum
Sample Set: Peterborough Cathedral Hill
Software: Hauptwerk IV
Genre: Early 20th century
Description:
Charles Vincent (19th September 1852 - 28th February 1934), Mus.B. (Oxon, 1878), Mus.D. (Oxon, 1885), was born at Houghtonle Spring, Durham, and, beginning in 1864, was a chorister at the Cathedral under Dr. Philip Armes. (This shows just HOW MUCH LATER boys' voices were changing then they are today!!!)

He studied at the Leipzig Conservatory under Dr Karl Reinecke, and held a number of church appointments: 1875-76. Organist of Monkwearmouth Parish Church, 1864-68; St. Mark’s, Sunderland; Tavistock Parish Church, 1877-83; Kelly College, Tavistock, 1877-83; and Christ Church, Hampstead, 1883-91.

He was editor of the “Organist and Choirmaster”; founded the Vincent Music Publishing Co.; taught harmony at Trinity College London. Composed cantatas, organ pieces, songs, &c. Son of C. J. Vincent; brother of George F. Vincent and H. S. Vincent. He served as examiner for Trinity College, London, travelling to South Africa and Australia.

He died in Monte Carlo in 1934.

He wrote quite a bit of organ music, all of which is certainly "of the period," but much of it has great appeal.

"Postlude Maestoso" comes from a collection entitled, "Twelve Postludes or Concluding Voluntaries," where it is the 5th in the group. It was published by the Vincent Music Company, Ltd. in 1902, a company that was owned (I think) by his brother, George. It is dedicated: "To his friend Dr. Warwick Jordan."

If you like yesterday's Vincent piece, you'll LOVE this one!

It has some elements of a Sousa march, but this makes it all the more fun! The central section is quieter, and their is a dialogue between the Choir Trumpet and the Solo Clarinet. The opening material returns, with a grand Coda that I have "tuberized!" :-)

At the top of the score, Vincent describes his conception of the piece, and that description is given in the First Comment.

The score is attached as well as churches where Vincent served as organist.

Sadly, I have no photos of Charles Vincent.
Performance: Live
Recorded in: Stereo
Playlists:
Options: Sign up today to download piece.
Login or Register to Subscribe
See what Agnus_Dei used to make this recording
 
Attachments:
  • Please Log in to download.
  • Please Log in to download.
  • Please Log in to download.
  • Please Log in to download.
  • Please Log in to download.
  • Please Log in to download.
  • Please Log in to download.

Name: