Suite du Deuxième Ton - Récit de Nazard Uploaded by: HMaier Composer: Clérambault, Louis-Nicolas Organ: 1732 Andreas Silbermann, Ebersmünster, France Software: Hauptwerk IV Views: 457
Recit de Nazard (5.ton) Uploaded by: Grandjeux Composer: Agincour, Francois d' Organ: Dom Bédos Organ Model Software: Hauptwerk IV Views: 604
Récit de tierce en taille Uploaded by: Alexander_K Composer: de Grigny, Nicolas Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VI Views: 73
Récit de Hautbois Uploaded by: Fazioli Composer: Lefébure-Wely, Louis James Alfred Organ: 1730 Trost, Waltershausen, Germany Software: Hauptwerk IV Views: 752
St Patrick's Breastplate Uploaded by: unclegally Composer: Richard Proulx Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 107
Nun danket alle Gott Uploaded by: bishfan Composer: Karg-Elert, Sigfrid Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 489
Trumpet Final Uploaded by: buluca Composer: Manfredini, Francesco Onofrio Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 119
Becoming (2006/22) Uploaded by: CarsonCooman Composer: Doolittle, Emily Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VII Views: 69
Ich steh an deiner Krippen hier Uploaded by: Bartfloete Composer: Rübsam, Wolfgang Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 141
Jean-Adam Guilain (whose German birth name was Johann Adam Wilhelm Freinsberg) (c. 1680 – after 1739) was a German organist and harpsichordist who relocated to France some time before 1702. He was active in Paris during the first half of the eighteenth century.
Guilain was born in Germany, (the exact dates of birth and death are unknown). He was almost certainly one of Louis Marchand's pupils - Guilain's organ collection is dedicated to Marchand, by then a prominent organ teacher. Guilain died some time after 1739, the year when he published a collection of harpsichord pieces. Although he came from Germany, Guilain's musical style appears to be in the pure French tradition. He was apparently for a time organist of Saint-Honoré in Paris.
The Tierce en Taille recorded here is from the Suite du Second ton. I have not felt uncomfortable recording this piece using the Rotterdam sample set because of its very fine mounted Cornet which beautifully sings the melody. I've used the French "Ordinaire" temperament for this recording.