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Andante & Allegro
Uploaded by: dino_deon
Composer: Petrali, Vincenzo Antonio Organ: 51/3M+P Composite organ in the French classic style Software: Hauptwerk IV Views: 554
Cast Your Cares
Uploaded by: morharn
Composer: unknown Organ: Buckow-Rieger Organ from Komarom Software: Hauptwerk IV Views: 25
Prelude and Fugues 05-08
Uploaded by: EdoL
Composer: Fischer, Johann Caspar Ferdinand Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 125
Christe surrecit
Uploaded by: HMaier
Composer: Anonymous Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 414
Uploaded by:
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ajongbloed (05/17/19)
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Composer:
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Anonymus
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Sample Producer:
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OrganArt Media
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Sample Set:
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1687 Arp Schnitger, Steinkirchen, Germany
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Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | The fourth anonymous piece of which I have copies of the original manuscript is a magnificent piece on the melody of "O Herre Gott, begnade mich". The text is based on Psalm 51, the melody is not, at least not on the melody Psalm 51 has in the Genevian Psalter.
The melody is rather long and so is this composition. The melody is in the so called Bar-form: A-A-B. In this composition the first A is written for the soprano voice, richly embellished. The second A is played by the pedals, in long notes. The B is again in the soprano voice, though not as richly embellished as in the first A.
Another noteworthy characteristic of this composition is that in the middle of the B-segment the meter changes to 6/4.for eleven bars, after which it return to the opening 4/4.
Probably an expression of the text, though I could not determine which words were the inspiration for this change in meter.
Again a piece that shows that enormous treasures are still hidden in manuscripts, just because editors want to put a name on a composition and ignore anything that is anonymous.
Yes, I know, there are exceptions. This composition however is not published as far as I could find.
So I am glad I have consent of the owning library to publish these pieces. First I want to finish transcribing the fifth piece (by far the longest), then I'll publish all five of them. |
Performance: | Live |
Recorded in: | Stereo |
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