Home
Bulletin Board
Organs
Forum
Meet & Greet
The Barde
Donate
Login
Sign up
 
Subscribe to our mailing list to get news, specials and updates: Name:
Email:
Dashboard
Browse
Charts
Playlists
Passacalles de 4o Tono
140 views |
Find this title on Sheet Music Plus
Login to recommend piece!
Embed Piece
Add to My 5 (Log In)
Comments (16)
Comment on this music
Login
/
Register
to post a comment.
Latest Thread
Browser based player and samplesets
Details
Suggested
Same Organ
There are no closely similar pieces!
Echoes de Clarinas (bass and treble demo)
Uploaded by:
adri
Composer:
Adri de Groot
Organ:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Views:
1480
Sonata del Monasterio de Guadalupe
Uploaded by:
alberto63
Composer:
Anselm Viola
Organ:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Views:
72
Salbe de 1o tono por delasolre (Salve Regina)
Uploaded by:
wolfram_syre
Composer:
de Heredia, Sebastian Aguilera
Organ:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Views:
62
Tiento de primero Tono por Delasolre
Uploaded by:
wolfram_syre
Composer:
Correa de Arauxo, Francisco
Organ:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Views:
33
Ballo del Granduca
Uploaded by:
alberto63
Composer:
Sweelinck, Jan Pieterszoon
Organ:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Views:
76
Uploaded by:
EdoL
(02/06/19)
Composer:
Cabanilles, Juan
Sample Producer:
OrganArt Media
Sample Set:
1684 García-Martínez, Frechilla, Spain
Software:
Hauptwerk IV
Genre:
Medieval and Renaissance
Description:
Juan Bautista José Cabanilles (1644 – 1712) was a Spanish organist and composer at Valencia Cathedral.
He is considered by many to have been the greatest Spanish Baroque composer, and has been called the Spanish Bach.
This Passacalle should be played on one manual.
The mood of it is suggested by the Quarto Tono, the fourth Modus.
Various interpretations of the "character" imparted by the different modes have been suggested.
Two such interpretations, from Guido D'Arezzo (995-1050) and Adam of Fulda (1445-1505) are:
The fourth mode (Quarto Tono) is considered to be harmonious or tender.
Played on Flautado (8') and Tapadillo (4')
Performance:
Live
Recorded in:
Stereo
Playlists:
Options:
Sign up today to download piece.
Login or Register to Subscribe
See what EdoL used to make this recording
Name: