Ricercare after Credo Uploaded by: jepisi Composer: Frescobaldi, Girolamo Organ: AVO - Farkasret (Budapest) Software: Hauptwerk V Views: 64
Grand Chorus on Credo III Uploaded by: Agnus_Dei Composer: Biggs, Richard Keys Organ: Peterborough Cathedral Hill Software: Hauptwerk IV Views: 197
Orgelmesse: Credo (5th Movement) Uploaded by: MusicSmith Composer: Ahrens, Joseph Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 105
Missa pro organo - Credo Uploaded by: takatsa Composer: Liszt, Franz Organ: Buckow-Rieger Organ from Komarom Software: Hauptwerk IV Views: 70
Fanfares from "Parsifal" Uploaded by: Agnus_Dei Composer: Richard Wagner, arr. Virigil Fox Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 385
This piece is the second of the Three Short Pieces based on Familiar Gregorian Melodies. Dedicated to Francis W Snow.
I believe in One God.
The music of Everett Titcomb (1884-1968) occupies a unique niche in the catalogue of sacred organ and choral works by 20th-century Anglican composers in the United States. His compositional voice was clearly influenced by the Bostonian giants of his youth (Eugene Thayer, Dudley Buck, George Chadwick, Horatio Parker--who's mother once had Titcomb as a border) as well as his affinity for French music; yet at the same time his work is informed by his vast knowledge and understanding of plainchant and the polyphonic style of the 15th and 16th century Italians. An Anglo-Catholic who spent fifty years nearly to the day (1910-1960) as organist and choirmaster at Boston's Church of St. John the Evangelist in Bowdoin Street, his best organ works are based on plainchant tunes making them of more value to the Roman Catholic organist of the time than to the majority of Episcopalian ones and some of his best polyphony is in the form of Latin motets which while used at St. John's and other Anglo-Catholic parishes were perfectly at home sung at a Roman Mass.
Notes by Agnus_Dei