Mouvement pour orgue Uploaded by: giwro Composer: Berveiller, Jean Organ: Schantz Software: Hauptwerk IV Views: 1401
Fugue (from "Livre d'Orgue") Uploaded by: Grandjeux Composer: de Grigny, Nicolas Organ: SP - Rozay en Brie, Notre Dame de la Nativité Software: Hauptwerk IV Views: 93
Mélodie pour l'orgue Uploaded by: FredM Composer: Guilmant, Alexandre Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk IV Views: 96
Premier livre d'orgue 8 Grand Jeu Uploaded by: WAF80 Composer: Pierre Du Mage Organ: Prytanée, Levasseur-Dangeville Organ (1640, 1772) Software: Hauptwerk VI Views: 55
Livre d'orgue du Père Pingré -2 Uploaded by: Sordun Composer: Anonymous french composers of the XVIIIth century Organ: Rozay en Brie, Notre Dame de la Nativité Software: Hauptwerk IV Views: 131
Ye Servants of the Lord (Narenza SM) Uploaded by: EdoL Composer: Leisentritt, Johannes Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 216
Swinging Metz Uploaded by: adri Composer: Adri de Groot Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 701
Verset de Procesion Uploaded by: wolfram_syre Composer: Dubois, Theodore Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 186
Jesus the Very Thought of Thee Uploaded by: robgood Composer: Diemer, Emma Lou Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 765
L’Orgue Mystique is a cycle of solo organ pieces composed by Charles Tournemire (1870–1939) for use in the Roman Catholic liturgy. It is subtitled: “51 Offices de L'année liturgique inspirés du chant grégorien et librement paraphrasés” (“51 Offices of the liturgical year inspired by Gregorian chant and freely paraphrased”).
Each office is approximately fifteen minutes in length and consists of five pieces based on the Gregorian Propers for the day:
Using nearly three hundred chants in total, Tournemire created a massive work, which takes over thirteen hours to perform in its entirety.
The word "Mystique" here is very appropriate and the melodic lines of the pieces follow the Gregorian Chants, which are often interwoven between different manuals and voices, while the harmonic structure fluctuates forward and backward from fifths to dissonant chords.
Here I play the office number 7 "Epiphania Domini" matching the liturgical calendar. The score is attached to final piece number 5.