Pastorale in G Minor Uploaded by: Erzahler Composer: Koželuch, Leopold Organ: St. Peter, Ménestérol Software: Hauptwerk VII Views: 93
Pastorale Uploaded by: WAF80 Composer: J. de Montber Organ: Seifert (2015), Goch Software: Hauptwerk VI Views: 86
Fantasia et Pastorale in g Uploaded by: Cantor Composer: Kuchař, Jan Křtitel Organ: 1686/1860 Bosch-F.C. Schnitger, Vollenhove, Netherlands Software: Hauptwerk IV Views: 587
Pastorale Uploaded by: FredM Composer: Wesley, Charles Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk V Views: 32
"Lady Montegle's Paven" Uploaded by: Marco_Lo_Muscio Composer: Byrd, William Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 86
Anhang I, op. 128 (2003) Uploaded by: CarsonCooman Composer: Graf, Wolfram Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 46
Suite pour Orgue Op. 5 - Toccata Uploaded by: loekjehe Composer: Duruflé, Maurice Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 1744
Contemplation Covid19 full organ Uploaded by: GuidoSmo Composer: * My Own Composition Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 39
Unmeasured Fantasia (2015) Uploaded by: CarsonCooman Composer: Ferrari, Carlotta Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 126
Burkhard Mohr (b. 1955) — Pastorale forte (from Klang-Kalender) (2013) for organ
German composer Burkhard Mohr (b. 1955) was born in Gamsbach/Oberhessen and was educated in Frankfurt where he studied music and theology. He also attended the Darmstadt new music courses with Stockhausen, Kagel, Ligeti, and Xenakis. He has worked as a church musician in Frankfurt-Höchst and Wiesbaden and also taught music for many years at the technical university in Frankfurt. Mohr has composed numerous musical works in many genres, including several operas and orchestral works along with much chamber music and music for choir and organ. Mohr’s music usually concerns itself with the blurry boundaries and connections between atonal (12-tone) and tonal (triadic) materials and with the unexpected (or traditionally extended) formal designs that can result from teasing out these connections.