Psalm 33 Uploaded by: Dick Composer: Eyck, Jhr Jacob van Organ: de Backer - Gapinge Software: Hauptwerk IV Views: 877
Psalm 24 Uploaded by: Aarnoud Composer: Noordt, Anthonie van Organ: SP - Walburgiskerk Zutphen Software: Hauptwerk IV Views: 283
Psalm 98 (chorale prelude) Uploaded by: HenkVogel Composer: * My Own Composition Organ: St. Michel en Thiérache Software: Hauptwerk IV Views: 192
Psalm 56 (Genevan) Uploaded by: FrankEzinga Composer: * My Own Composition Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 78
Psalmprovisation 122, Movement Two Uploaded by: AMLaMort Composer: Anthony Mark LaMort Organ: SP St. Maximin with Kurzweil K-250 and K-2000 and Korg MS2000 synthesizers Software: Hauptwerk IV Views: 230
Psalm 128, Marco den Toom Uploaded by: FredM Composer: Marco den Toom Organ: Stahlhuth/Jann - Dudelange Software: Hauptwerk IV Views: 88
Andantino Uploaded by: alberto63 Composer: Jakob Blied Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk IV Views: 76
Psalm 86, Cor van Dijk Uploaded by: FredM Composer: Cor van Dijk Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk IV Views: 73
In the series "Songs of Ascent" is here the next Psalm 128, played from Marco den Toom's psalm book. Earlier I played it on the StahlHuth/Jann organ, but this series I dedicate to the Bätz organ of the Domkerk.
A Strange Title
In the Book of Psalms, each song has an individual heading. Some headings are actually the name of the author, such as in “A Psalm of Asaph” (Psalm 50). Others begin with musical instructions, for example “For the Leader; with string-music. A Psalm, a Song” (Psalm 67). But then we come to a distinct group of 15 psalms (numbers 120-134) that all open with the title “A Song of Ascents.” What does this mean?
Melodies for the Road
In the original Hebrew this is Shir Ha-Ma’alot. There are two theories about the meaning of the term ma’alot (מעלות) or “ascents.” The first is that this refers to the ascent – both topographical and spiritual – to Jerusalem, which thousands of Jewish pilgrims made on the festivals in the days of the Temple. The travelers sang these songs on the walk up the steep roads leading to the Holy City to make the journey easier.
Ascend with Biblical Hebrew
A second theory is that the word ma’alot refers to the “steps” ascending to the Temple (Ezek. 40:6). The Levites, whose job it was to provide musical accompaniment to the priestly sacrifices, would sing these 15 psalms as they walked up the 15 steps to the sacred House of the Lord.