Pastorale (Complete) Uploaded by: orgelmeister68 Composer: Zipoli, Domenico Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 618
Pastorale Uploaded by: FredM Composer: Wesley, Charles Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk V Views: 56
18 Pieces - #2 Pastorale Uploaded by: giwro Composer: Genzmer, Harald Organ: Schantz Software: Hauptwerk IV Views: 1157
A Christmas Pastorale Uploaded by: Agnus_Dei Composer: Groom, Lester Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 181
Ante-Communion (2013) Uploaded by: CarsonCooman Composer: Miller, Timothy Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 66
Wachet auf, ruft uns die Stimme Uploaded by: MrStone Composer: Robert Jones Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VI Views: 90
Miniatures: 2. Lament Uploaded by: Bartfloete Composer: Cornelius-Bates, Benjamin Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 83
"Nun komm der Heiden Heiland" Uploaded by: MrStone Composer: Homilius, Gottfried August Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VI Views: 44
Aria op. 51 Uploaded by: Bartfloete Composer: Peeters, Flor Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 412
Burkhard Mohr (b. 1955) — Pastorale 2 (from Klang-Kalender) (2013) for organ
German composer Burkhard Mohr (b. 1955) was born in Gamsbach/Oberhessen and was educated in Frankfurt where he studied music and theology. He also attended the Darmstadt new music courses with Stockhausen, Kagel, Ligeti, and Xenakis. He has worked as a church musician in Frankfurt-Höchst and Wiesbaden and also taught music for many years at the technical university in Frankfurt. Mohr has composed numerous musical works in many genres, including several operas and orchestral works along with much chamber music and music for choir and organ. Mohr’s music usually concerns itself with the blurry boundaries and connections between atonal (12-tone) and tonal (triadic) materials and with the unexpected (or traditionally extended) formal designs that can result from teasing out these connections.