Preludio con fuga (A-dur) Uploaded by: Pietro Composer: Walther, Johann Gottfried Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 323
Preludio pro Organo Pleno [G-Dur] Uploaded by: wolfram_syre Composer: Kittel, Johann Christian Leberecht Organ: Kampen, Bovenkerk Hinsz/F.C. Schnitger Software: Hauptwerk IV Views: 70
Preludio pro Organo Pleno a-moll Uploaded by: EdoL Composer: Kittel, Johann Christian Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 286
Preludio con Fuga (D Minor) Uploaded by: swiberg Composer: Walther, Johann Gottfried Organ: 2012 Metzler, Poblet Abbey, Spain Software: Hauptwerk IV Views: 181
Preludio per Organo Uploaded by: telemanr Composer: Respighi Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 1036
Psalm 77, Klaas Jan Mulder Uploaded by: FredM Composer: Mulder, Klaas Jan Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk V Views: 49
Psalm 111 Compilation Uploaded by: FredM Composer: Cor van Dijk and Marco den Toom Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk V Views: 70
Wedding-Suite for organ Uploaded by: ESchoen Composer: Roman Bissinger (*1967) Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk IV Views: 297
Psalm 1 compilation Uploaded by: FredM Composer: Cor van Dijk and Marco den Toom Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk V Views: 123
Burkhard Mohr (b. 1955) — Preludio scherzando (1991) for organ
German composer Burkhard Mohr (b. 1955) was born in Gamsbach/Oberhessen and was educated in Frankfurt where he studied music and theology. He also attended the Darmstadt new music courses with Stockhausen, Kagel, Ligeti, and Xenakis. He has worked as a church musician in Frankfurt-Höchst and Wiesbaden and also taught music for many years at the technical university in Frankfurt. Mohr has composed numerous musical works in many genres, including several operas and orchestral works along with much chamber music and music for choir and organ. Mohr’s music usually concerns itself with the blurry boundaries and connections between atonal (12-tone) and tonal (triadic) materials and with the unexpected (or traditionally extended) formal designs that can result from teasing out these connections.