Triosonate 1 Es-Dur: BWV 525 Complete Uploaded by: EdoL Composer: Bach, J. S. Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk VII Views: 233
Triosonate C-Dur, BWV 529 Uploaded by: hauptwerker Composer: Bach, J. S. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 407
Allein Gott in der Höh sei Ehr. Uploaded by: ajongbloed Composer: Buttstett, Johann Heinrich Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 176
Kyrie (manualiter Uploaded by: Karel_van_Ingen Composer: Bach, J. S. Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 63
Fuge in g Uploaded by: AMattes Composer: Bach, J. S. Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 573
Wenn mein Stündlein vorhanden ist Uploaded by: ajongbloed Composer: Kauffmann, Georg Friedrich Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 209
Es ist das Heil uns kommen her Uploaded by: ajongbloed Composer: Liardon, Gaël Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 90
Scheibe wrote three Triosonate that I'm aware of. I already uploaded two of them, now I'm working on the third. The manuscript bears the date 16 march 1742. It's a bit annoying that Scheibe appaerantly wrote this piece in one day and that I need far more time than that to practice it.
It's an interesting piece. Scheibe calls it Fuge and blends the form of fugue with the (in those days) emerging sonata form. In the exposition the fugue theme is played three times, one time in each voice. The development is based on the first three bars of the fugue and visits the keys of b minor and f sharp minor. After a few dense chromatic bars the fugue theme suddenly reappears in the bass voice. The recapitulation also features the fugue theme three times. and ends with the same flourish as the exposition.
Scheibe was ahead of his time with experiments like these.