Chant du soir, Op 92 No. 1

Actually, I used stops from the original Skinner organ of FCCLA as well as from the Chancel extensions and the 1969 Schlicker organ on the Galary (Gal), together as one sampleset of almost 250 stops called The Great Organs of FCCLA.

I also added Altiverb's King's College Cambridge convolution reverb to this dry set.

I used no Gen. Cresc., just 3 Swell shoes and 10 combinations (Comb. 0 - 9):
= Comb. 0
- Bar 1/1
Swell: Echo Viole Cel. II 8' + Flute Cel. II 8'
Pedal: Contra Dulciana 16' + Bourdon 8' (Cpl-Gospel)
- Bar 12/1
add Gospel: Celestial Strings III 8'
= Comb. 1
- Bar 16/4
add Swell: Salicional 8'
add Gal. Swell: Dolce 8' + Dolce Celeste 8'
= Comb. 2
- Bar 17/1
add Gal. Swell: Gamba Celeste 8'
= Comb. 3
- Bar 17/3
add Swell: Unda Maris II 4'
add Gal. Swell: Gamba 8'
= Comb. 4
- Bar. 18/1
add Gospel: String Organ IV 8'
- Bar. 20/1
Choir: Clarinet 8' + Unda Maris II 8'
= Comb. 5
- Bar. 20/2
add Choir: Erzaehler Celeste II 8' + Tremulant
Swell: Salicional 8' + Unda Maris II 4'
Gospel (Cpl-Sw): Celestial String III 8' + Salicet Celeste III 4'
Pedal: Contra Dulciana 16' (Cpl-Sw)
= Comb. 6
- Bar 38/1
as Comb. 0 + Great: Cloches 8'
= Comb. 7
- Bar 42/3
add Echo: Vox Angelica II 8' + Unda Maris II 8' + Celeste Divinaire II 4'
= Comb. 8
- Bar 48/4
Great: Cloches 8'
Echo: Vox Angelica II 8' + Unda Maris II 8'
Cpl. to Gospel: Celestial Strings III 8'
Pedal: Contra Dulciana 16' + Lieblich Flute 8' (Cpl-Gospel)
= Comb. 9
- Bar 50/4
Echo: Vox Angelica II 8' + Unda Maris II 8'
Pedal: Contra Dulciana 16' + Contra Violone 32'