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Magnificat Noni Toni
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Suggested
Same Organ
Magnificat 2/4
Uploaded by:
jepisi
Composer:
GUILAIN Jean-Adam
Organ:
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Software:
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Magnificat du VIIme. ton: 6. Musette
Uploaded by:
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Composer:
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Organ:
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Views:
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Magnificat I. Modi (5 Versus)
Uploaded by:
wolfram_syre
Composer:
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Organ:
1675/88 Hus/Arp Schnitger, Stade, Germany
Software:
Hauptwerk IV
Views:
112
Magnificat du Quatrième ton
Uploaded by:
DominiqueD
Composer:
Claude-Bénigne BALBASTRE 1724-1799
Organ:
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Magnificat second set / Premier ton
Uploaded by:
DominiqueD
Composer:
Claude-Bénigne BALBASTRE 1724-1799
Organ:
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Software:
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Views:
54
Apparatus musico-organisticus: Toccata 11
Uploaded by:
Pietro
Composer:
Muffat, Georg
Organ:
1675/88 Hus/Arp Schnitger, Stade, Germany
Software:
Hauptwerk IV
Views:
183
Jesu meine Freude (short reverbed)
Uploaded by:
NickP
Composer:
Wim Bomhof
Organ:
1675/88 Hus/Arp Schnitger, Stade, Germany
Software:
Hauptwerk IV
Views:
158
Herr Jesu Christ, ich weiß gar wohl
Uploaded by:
wimbomhof
Composer:
Georg Friedrich Kauffmann
Organ:
1675/88 Hus/Arp Schnitger, Stade, Germany
Software:
Hauptwerk IV
Views:
39
Sonata III (Triosonate, d-Moll)
Uploaded by:
AMattes
Composer:
Bach, J. S.
Organ:
1675/88 Hus/Arp Schnitger, Stade, Germany
Software:
Hauptwerk IV
Views:
478
"Allein Gott in der Höh sei Ehr"
Uploaded by:
wimbomhof
Composer:
Andreas Düben
Organ:
1675/88 Hus/Arp Schnitger, Stade, Germany
Software:
Hauptwerk IV
Views:
57
Uploaded by:
EdoL
(11/23/17)
Composer:
Buxtehude, Dieterich
Sample Producer:
OrganArt Media
Sample Set:
1675/88 Hus/Arp Schnitger, Stade, Germany
Software:
Hauptwerk IV
Genre:
Baroque
Description:
Dieterich Buxtehude (c. 1637/39 – 1707) was a Danish-German organist and composer of the Baroque period.
His organ works represent a central part of the standard organ repertoire and are frequently performed at recitals and in church services.
He composed in a wide variety of vocal and instrumental idioms, and his style strongly influenced many composers, including Johann Sebastian Bach.
Today, Buxtehude is considered one of the most important composers in Germany of the mid-Baroque.
He wrote many choral preludes and there are quite a few favourites, that are often played.
Having just gotten the Hedar edition of his works, I would like to do a small series on the lesser known ones.
This is the second of two small Magnificats.
It is a three part work on a somewhat grander scale.
I (No further explanation)
II Versus
III Versus 5 alla duodecima
Performance:
Live
Recorded in:
Stereo
Playlists:
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