Tiento mano derecha 1º tono Uploaded by: jepisi Composer: Pablo, BRUNA Organ: AVO - Castilian Organ-replica from Budapest Software: Hauptwerk IV Views: 74
Tiento de Falsas (#1) 6° tono Uploaded by: jepisi Composer: José ELIAS Organ: AVO - Castilian Organ-replica from Budapest Software: Hauptwerk IV Views: 68
Tiento de Falsas 6' Tono Uploaded by: EdoL Composer: Cabanilles, Juan Organ: Santanyi Software: Hauptwerk IV Views: 244
Pasacalles de Primero Tono Uploaded by: EdoL Composer: Cabanilles, Juan Organ: Santanyi Software: Hauptwerk IV Views: 97
Malle Sijmen, SwWV 323 Uploaded by: xlukasz94x Composer: Sweelinck, Jan Pieterszoon Organ: Santanyi Software: Hauptwerk IV Views: 205
Juan Bautista José Cabanilles (1644 – 1712) was a Spanish organist and composer at Valencia Cathedral. He is considered by many to have been the greatest Spanish Baroque composer, and has been called the Spanish Bach.
See for more information one of my other Cabanilles uploads.
According to the title this Tiento should be played on a divided manual.
The accompaniment is in the bass half of the manual and the jubilant voice, played on the Cornet 10 (!!!) on the discant, devided on the central c.
The way it should be played is suggested by the Primero Tono, the first Modus.
Various interpretations of the "character" imparted by the different modes have been suggested. Two such interpretations, from Guido D'Arezzo (995-1050) and Adam of Fulda (1445-1505) are:
Guido of Arezzo (c. 990- 1050)
The first is serious.
Adam of Fulda (c.1445-1505)
The first mode lends to any feeling