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Ranked #3 in Most Listened.
Ranked #3 in Most Commented.
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Ciacona
Uploaded by: wolfram_syre
Composer: Muffat, Georg Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 89
Ciacona in e
Uploaded by: AMLaMort
Composer: Buxtehude, Dieterich Organ: G. Silbermann Organ, Grosshartmannsdorf Software: Hauptwerk IV Views: 691
Ciacona d-moll
Uploaded by: Grandjeux
Composer: Pachelbel, Johann Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk IV Views: 249
Ciacona d-moll
Uploaded by: tribuletto
Composer: Pachelbel, Johann Organ: St. Georgenkirche Gottfried Silbermann Software: Hauptwerk IV Views: 138
Ciacona d-moll
Uploaded by: Grandjeux
Composer: Pachelbel, Johann Organ: Zwolle, St. Michael Software: Hauptwerk IV Views: 751
Der Zeuner tantz
Uploaded by: Carillon
Composer: Neusiedler, Hans Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 278
Fuga in d (Chromatische)
Uploaded by: EdoL
Composer: Kerkhoven, Abraham van den Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 177
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Uploaded by:
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EdoL (05/28/15)
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Composer:
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Pachelbel, Johann
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Sample Producer:
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OrganArt Media
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Sample Set:
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1687 Arp Schnitger, Steinkirchen, Germany
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| Software: | Hauptwerk IV |
| Genre: | Baroque |
| Description: | Johann Pachelbel (1653 – 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak.
He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity.
This Ciacona is a beautiful piece, uncomplicatedly written and typical for his style.
Settings:
Werckmeister III
Brustwerk doors open
Front: 90 Rear: 10
The registrations of the piece are realistic, provided the organist has two helpers on this organ to pull the stops. |
| Performance: | Live |
| Recorded in: | Stereo |
| Playlists: |
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