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Comments (12)
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Fuga in F
Uploaded by: alberto63
Composer: Pachelbel, Johann Organ: 1842 J. Batz, Hervormde kerk, Mijdrecht, Nederland Software: Hauptwerk VII Views: 50
fuga in d
Uploaded by: DominiqueD
Composer: Pachelbel, Johann Organ: ERFURT BÜSSLEBEN Software: Hauptwerk V Views: 163
Fuga in D
Uploaded by: alberto63
Composer: Pachelbel, Johann Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 83
Fuga in d
Uploaded by: Grandjeux
Composer: Pachelbel, Johann Organ: Dom Bédos Organ Model Software: Hauptwerk IV Views: 705
Fuga in d
Uploaded by: osimania
Composer: Pachelbel, Johann Organ: IA Kolozsvar Software: Hauptwerk IV Views: 216
Fuga in D
Uploaded by: marcothart
Composer: Pachelbel, Johann Organ: Stellwagen 1655-1659, Stralsund Software: Hauptwerk VIII Views: 37
Happy Pipes
Uploaded by: HMaier
Composer: Nagel, Matthias Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 1241
Psalm 43 Coral2
Uploaded by: WicoV
Composer: Klaas Bolt Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 113
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Uploaded by:
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EdoL (01/29/15)
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Composer:
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Pachelbel, Johann
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Sample Producer:
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OrganArt Media
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Sample Set:
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1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland
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| Software: | Hauptwerk IV |
| Genre: | Baroque |
| Description: | Johann Pachelbel (1653 – 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak.
He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity.
This Praeludium stands on its own, but can very well be joined with de Fuga in d and the Ciacona in d, though the three pieces do not belong together they make a nice concert set.
I uploaded the Praeludium and the Fuga.
Agnus_Dei uploaded the Ciacona some time ago excellently played on the Trost organ.
That recording can be found here: http://www.contrebombarde.com/concerthall/music/15473 |
| Performance: | Live |
| Recorded in: | Stereo |
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