|
Comments (1)
Comment on this music
Login/Register to post a comment.
|
In Modo Elegiaco
Uploaded by: Agnus_Dei
Composer: Åberg, Thomas Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 114
Elegiac Prelude
Uploaded by: Agnus_Dei
Composer: Bennett, George John Organ: Hereford Cathedral Willis Organ Software: Hauptwerk IV Views: 268
Impromptu Elegiac
Uploaded by: Agnus_Dei
Composer: Pyne, James Kendrick Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 158
Elegiac Prelude
Uploaded by: jerrymartin
Composer: George John Bennett Organ: Schuke (1977), Erfurt, Predigerkirche Software: Hauptwerk VII Views: 141
Pastorale
Uploaded by: BertV
Composer: Wermann, Oskar Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk VIII Views: 25
|
Uploaded by:
|
CarsonCooman (09/15/13)
|
|
Composer:
|
Sawa, Marian
|
|
Sample Producer:
|
Sonus Paradisi
|
|
Sample Set:
|
Doesburg Martinikerk Walcker Organ
|
| Software: | Hauptwerk IV |
| Genre: | Contemporary |
| Description: | Marian Sawa (1937–2005) — Elegia II (1995) for organ
Marian Sawa (1937–2005) was a Polish composer, organist, and teacher. As a famed specialist in organ improvisation, he taught the subject for many years at several conservatories, most notably the F. Chopin Academy of Music in Warsaw. He was a frequent member of organ competition juries throughout the world, and won numerous prizes himself for his compositions and recordings. With nearly 1000 pieces in many genres, Sawa was an extremely prolific composer, and his own instrument, the organ, looms very large in his output. Besides hundreds of solo organ pieces, there are many works for organ with instruments and voices, and five organ concerti. Like many composers in Eastern European countries, religious inspiration was behind much of his music. Sawa’s personal style draws upon the influence of Gregorian chant and Polish folk hymns and songs (even when they are not quoted directly), alongside both traditional and contemporary harmony.
This is the second of three elegies written by Sawa in 1995. Marked "dolente," the mournful opening motive in dotted rhythm serves as the source for the whole two-voice work.
Published by the Marian Sawa Society |
| Performance: | Live |
| Recorded in: | Stereo |
| Playlists: |
|
|
Options:
|
Sign up today to download piece.
Login or Register to Subscribe
See what CarsonCooman used to make this recording
|
|
|