Pastorale (BWV 590) Uploaded by: Pietro Composer: Bach, J. S. Organ: 1761/2005 J. A. Silbermann-Metzler, Arlesheim, Switzerland Software: Hauptwerk IV Views: 838
Pastorale Uploaded by: buluca Composer: Becher, Josef Organ: Brescia, St. Carlo Software: Hauptwerk IV Views: 61
Andante Pastorale Uploaded by: Hoofdwerk Composer: Wiedermann, Bedřich Antonín Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 276
Livre d'Orgue - 2 - Pastorale Uploaded by: giwro Composer: Jacob, Dom Clement Organ: Notre Dame de Metz Mutin/Cavaillé-Coll Software: Hauptwerk IV Views: 75
Nascita di Gesù (Pastorale) Uploaded by: Dchla69 Composer: Leonardo Antonio Di Chiara Organ: Veendam, Kandelaarkerk, Kaat & Tijhuis Software: Hauptwerk V Views: 48
Elegy (2002/05) Uploaded by: CarsonCooman Composer: Rakowski, David Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk V Views: 29
Of the Father’s Love Begotten Uploaded by: BaroqueDMX Composer: Marcus Aurelius Clemens Prudential (348-413) Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VI Views: 65
Praeludium & Fuge e-moll BWV 548 Uploaded by: Grandjeux Composer: Bach, J. S. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 762
Five Festive Preludes Uploaded by: contrabourdon Composer: Stevens, James Michael Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VII Views: 72
Burkhard Mohr (b. 1955) — Pastorale forte (from Klang-Kalender) (2013) for organ
German composer Burkhard Mohr (b. 1955) was born in Gamsbach/Oberhessen and was educated in Frankfurt where he studied music and theology. He also attended the Darmstadt new music courses with Stockhausen, Kagel, Ligeti, and Xenakis. He has worked as a church musician in Frankfurt-Höchst and Wiesbaden and also taught music for many years at the technical university in Frankfurt. Mohr has composed numerous musical works in many genres, including several operas and orchestral works along with much chamber music and music for choir and organ. Mohr’s music usually concerns itself with the blurry boundaries and connections between atonal (12-tone) and tonal (triadic) materials and with the unexpected (or traditionally extended) formal designs that can result from teasing out these connections.