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Album-Leaf

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Uploaded by: Agnus_Dei (10/26/18)
Composer: Greig, Edvard Hagerup; arr. Rogers, James Hotchkiss
Sample Producer: Pipeloops
Sample Set: Furtwängler & Hammer Imperial Cathedral Königslutter
Software: Hauptwerk IV
Genre: Romantic
Description:
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.

Edvard Grieg made many suites including “In The Hall Of The Mountain King” which is debatably one of his most famous pieces of music.

Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

This lovely piano work was arranged for organ by the American organist, James Hotchkiss Rogers (7 Feb. 1857-28 Nov. 1940), composer, music critic, organist, and teacher, was born in Fair Haven, Conn., and began piano lessons at 12 and organ lessons later, and studied in Europe from 1875-80. In 1883, Rogers moved to Cleveland, becoming organist at Euclid Ave. Temple playing until his retirement in 1932. He was also organist for Shaker Hts. Neighborhood Church and First Unitarian Church. Rogers was music critic for the "Plain Dealer" from 1915-32.

I found the sound of the soon-to-be-released
Furtwängler & Hammer (Pipeloops) to really be quite magical with this work. Certainly, you have to be creative, but the effect is well-worth the effort, and the dark colors shine like subdued embers.

The listening point is about "mid-way" for this recording.

The score is attached below, as well as photos of Grieg and Rogers.

The MIDI file is also attached.
Performance: Live
Recorded in: Stereo
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